
Ah... Weep for Me.  The Holy Grail of John D MacDonald novels.
Published in December 1951  as a paperback original, Weep for Me is generally counted as  MacDonald's fourth novel, although some issue dates would list it as his fifth,  following Wine of the Dreamers. Without getting too picky, we can  safely say that it was one of three novels he published in the second half of  1951, along with Judge Me Not and  Dreamers. It did not  receive a second printing until June 1959, where it featured a cover nearly  identical to the original, yet drawn by a different artist. Some early novels  received subsequent printings throughout the 1950's, such as The Brass  Cupcake and Judge Me Not, but most didn't get reissued until the  end of that decade, so Weep for Me is not unusual in that respect. It  is, however, the only early MacDonald novel that was never reprinted  again in his lifetime.
Why?
Quite simply, the author  himself felt it was a work below his standards, a failed attempt at a pastiche  of another writer, and he gave the orders not to republish. Between the two  printings, a total of 567,000 copies of the paperback were issued, yet it's a  book that is almost impossible to find, even back in the 1970's when I was  searching the used book stores of Washington, DC. The Internet age has made  finding copies a bit easier, yet the prices are beyond the range of all but the most serious book  collectors (or readers with lots of disposable income). I myself have never read  the book.
The plot goes something  like this: Kyle Cameron, a 29-year old bank teller living in the fictional town  of Thrace, New York, is engaged to be married to Jo Anne Lane, a blonde,  blue-eyed virgin who is also employed by the bank. Kyle is an ex-serviceman who  had been stationed overseas, where he engaged in several sexual affairs, and his  decision to wed Jo Ann seems to him more like a surrender than a willing leap  into a new life. He spends the days at the bank looking through the bars of his  teller window at the pretty girls outside in their summer dresses, and thinks of  Jo Ann, with her "incipient roll of fat around her middle," their future life  together: "three kids," "the joy and misery  of a normal contented marriage,"  and "[standing] on [his] flat feet behind the teller's window until they promote  ... or retire [him]."
Then he meets Emily  Randolph, a new bank employee who works upstairs in Accounting. She is  everything Jo Ann is not. Dark, beautiful, with a strong sexual magnetism, Emily  quickly becomes Kyle's obsession, and after a few lead-footed overtures to her  that are emphatically rebuffed, he is driven into a frenzy and begins to choke  her one night. This is apparently something Emily can relate to, she becomes  aroused and they make love. Afterward she explains to Kyle that she will be  expensive to keep -- as in $250,000 expensive -- and the two of them concoct a  scheme to embezzle the money from the bank. After some initial hesitation, Kyle  agrees, dumps Jo Ann (whose mother has just been diagnosed with cancer), steals  the money and takes off for Mexico with Emily.
Then things really get out  of control.
Emily has been keeping in  touch with an old boyfriend, who is following the two as they escape out of the  country. He and Emily plot to kill Kyle, but Kyle manages to turn the tables and  kills the boyfriend. Once the couple reach Mexico, their plan is to pay an old  acquaintance of Emily's to arrange for their ultimate passage to Argentina,  beyond the reaches of extradition. But this acquaintance has his own ideas, and  the world of Kyle and Emily quickly devolve into nightmare.
This reads like any number  of Noir novels or films of the era, yet MacDonald claimed it was James M Cain's  work he was aping in Weep for Me. There are a few plot similarities to  Cain's Serenade, but the relationship between the femme fatale  Emily and the helpless-to-resist Kyle comes straight out of The Postman  Always Rings Twice, or even Double Indemnity. In 1977 MacDonald  characterized the novel as "really quite a bad book... imitation James M. Cain  ... with some gratuitous and unmotivated scenes." Earlier he had stated, "It  should die quietly in the back of used paperback book  nooks."
There have been three  reappraisals of the novel published (that I know of), all of them in the pages  of the JDM Bibliophile. To a man (and woman), they all assert that the  book is far better than MacDonald claimed it to be and, while not perfect, state  that it would stand with the rest of his output quite nicely. In 1968  (BIB # 9) Michael Avallone wrote "Weep for Me... isn't bad at  all; it simply didn't strike the same funereal notes that Cain's classic does.  Still, as early John Mack, it is very good indeed..." Later, in 1990  (BIB # 46), Don Sandstrom -- working from research done by Purdue  English Professor Peggy Moran -- wrote, "Whatever John D. may have thought of  this early work, it remains a very readable and enjoyable story. It contains  evidence of his narrative power and his understanding of the human condition. I  have read many new books in hardback that did not come up to the quality of this  novel."
Then, in 1999 (BIB  # 64) Ellen Smith wrote the best and most detailed review of the book,  recounting how she came to find a copy, quoting copiously from the text of the  novel, and providing some nice insight into the themes, imagery and symbolism of  the writing. She wrote that the novel contains "a forceful narrative, well-drawn  characters, convincing settings and significant themes. It's a real  page-turner." She points out the "unified imagery" of the teller-window bars,  the foreshadowing discovery of a man's shoelace in Emily's ashtray, and includes  a very nice quote that really makes MacDonald's debt to Cain apparent: "[This  feeling reminds me when,] as a little kid, I fell into Palmer Creek in the early  spring. The water ran fast and deep and black."
I spent many years looking  for a copy of Weep for Me in the various well-stocked used bookstores  of Metropolitan Washington, DC. I was eventually able to locate and purchase  first editions of most of MacDonald's output, but never found Weep for  Me. The closest I ever came was in a used bookstore (now gone) on Morrison  Street in DC. The owner of that establishment (a dead ringer for the "Comic Book  Guy" of The Simpsons) informed me that he once had someone come in and  try and sell him a copy, and for a very high price, but an inspection of the  book revealed a broken binding and several missing pages. He sent the guy  packing. He warned me it would be unlikely that I would ever find a copy simply  sitting on a bookstore shelf. It's value was known to even the most amateur of  booksellers and would be snatched up immediately. This was in 1979, and he  proved correct.
Current prices for used  copies are staggering, as high as $950 (this for an autographed edition with the  inscription, "Eddie please burn this bad book! John D.  MacDonald").
In 2003, Mac
Donald's son  Maynard, who is the administrator of the JDM Estate, permitted a limited edition  hardcover reprint of Weep for Me by JDM's UK publisher Robert Hale.  There are a few copies of this book floating around on the 'net, most pretty  expensive, but not as costly as copies of the two paperback editions. I'm  surprised Maynard gave the permission, considering his father's wishes for the  novel's burial.
Donald's son  Maynard, who is the administrator of the JDM Estate, permitted a limited edition  hardcover reprint of Weep for Me by JDM's UK publisher Robert Hale.  There are a few copies of this book floating around on the 'net, most pretty  expensive, but not as costly as copies of the two paperback editions. I'm  surprised Maynard gave the permission, considering his father's wishes for the  novel's burial.
The only thing more  surprising would be for him to agree to allow another Travis McGee film. Oh,  wait...
It's my opinion that the  artwork for the second edition is superior to the first, even though it is a  copy of that cover, so I placed the second edition at the top of this blog post.  That cover was illustrated by Barye Phillips. The original was created by Owen  Kampen.
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